Sixteenth Vissencant Variation
supposedly entitled Etude for Dawn, this was a false name used by Zan Yant to fool his good friend, Jos Vondar. Vondar had no knowledge of classical music, but truly enjoyed listenign to Zan play. Thus, when Zan first played Duskin re Lemte's Cold Midnight for Jos, the human was bewildered at the fusion of leap-jump and heavy isotope fusion. To poke gentle fun at Jos' lack of refinement, Zan called the piece the "Sixteenth Vissencant Variation" to see if Jos knew that, in fact, there were only fifteen Vissencant Variations.
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